DaVinci Resolve 12 Essential Training Год выпуска: 02/2016 Производитель: Lynda Сайт производителя: lynda.com/DaVinci-Resolve-tutorials/DaVinci-Resolve-12-Essential-Training/444948-2.html Автор: Patrick Inhofer Продолжительность: 14:45 Тип раздаваемого материала: Видеоклипы Язык: Английский Описание: For over a decade, DaVinci Resolve has been the go-to tool for colorists working on Hollywood films, commercials, and professional corporate video. Now it's available to anyone on a Mac or PC. The latest version, DaVinci Resolve 12, combines its high-end color grading tools with a full-featured nonlinear video-editing environment. You can edit, color correct, color grade, and render a video project without ever leaving the program. In these tutorials, professional colorist Patrick Inhofer guides viewers through the basics of using DaVinci Resolve 12. Get a look over Patrick's shoulder as he touches on key features in Resolve, while introducing the lingo every colorist needs to understand the program and the workflow. He shows how to import footage, keep it all organized, edit clips in the timeline, and start color grading your project: applying primary and secondary corrections, vignettes, looks, and Power Windows. He also shows how to target corrections with shapes and keys, match shots, and create "hero shots" to jump-start discussions with directors, clients, and colleagues. Most of the tutorials are compatible with both DaVinci Resolve and DaVinci Resolve Studio, the paid version of the software. If you have already watched DaVinci Resolve 11 Essential Training, check out "What's New in DaVinci Resolve 12" to brush up on the updates. Уже более десяти лет, Давинчи решения была идти к инструмент для колористов, работающих на голливудских фильмов, рекламных роликов, корпоративного видео и профессиональным. Теперь он доступен любому пользователю Mac или ПК. Последняя версия, Давинчи решить 12, сочетает в себе высокий конечный цвет классификации инструментов с полнофункциональным нелинейного видеомонтажа среды. Вы можете редактировать, цветовой коррекции, цветовой гамме, и отрендерить видео проекта, не покидая программу.
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Introduction Welcome Using the exercise files Using this footage About this rig 1. What's New in Resolve 12? Who should watch this chapter? The new single-user mode The new user interface in 4 minutes Useful new keyboard shortcuts Five don't-miss features in 4 minutes Simple clip relinking Media Storage favorite shortcuts Smart Bins Smooth Cut for jump cut edits Timeline Smart Filters Revealing Resolve's order of operations pipeline Bezier handles in Resolve 12 Compound nodes Tracker: The new 3D perspective tracker Tracker: The new "frame" behavior Group grading: Collapsing grades to the clip level Keying: The new 3D keyer Keying: New Clean Black and Clean White tools Media Management panel Avid Pro Tools export 2. Building a Resolve System Who uses DaVinci Resolve? Overview: The DaVinci Resolve toolset DaVinci Resolve vs. DaVinci Resolve Studio Building a Resolve system: Overview Building a Resolve system: Computer hardware Building a Resolve system: Monitors and calibration Installing and launching DaVinci Resolve for the first time Updating from earlier versions of DaVinci Resolve 3. Understanding Disk Databases, User Modes, and Projects The default database: Disk based Single-user and multi-user modes Creating, managing, and organizing projects 4. Getting Started with DaVinci Resolve 12 Overview of the Resolve interface Customizing your workspace (NEW) Resolve System Preferences Essential Project Settings Tweaking preferences for better performance (NEW) Overview: The Media page Overview: The Edit page Overview: The Color page Overview: The Deliver page Overview: Dual monitor setup The Documentary: Analyzing and importing footage The Documentary: Creating the timeline The Documentary: Importing an XML file, method 1 The Documentary: Importing an XML file, method 2 5. Editing a Project in DaVinci Resolve 12 Navigating the Edit page Organizing your media with Smart Bins Keyboard shortcuts for editing Keyboard mapping Additional timeline commands Working in the Edit mode Working in the Trim mode Trimming in the Source Viewer Track targeting 101 Working with audio The Clip Inspector Working with titles Transitions, effects, and clip properties 6. Moving and Preparing a Timeline for Color Correction How to prepare a timeline for color correction Exporting XMLs and self-contained reference movies from your NLE Conforming a timeline with an XML file Checking the conform with a reference movie Automatic scene cut detection: Getting started Automatic scene cut detection: Pruning your edits Automatic scene cut detection: Reconstructing the timeline Automatic scene cut detection: Dealing with dissolves 7. Image Evaluation: Seeing Like a Colorist Creative spotting session: Selecting hero shots and timeline filtering Using scopes: Analyzing contrast and exposure Using scopes: Analyzing color and saturation Using the vectorscope: Analyzing color and saturation Working with the Broadcast Safe filter Using video scopes to analyze the hero shots 8. In Action: Building a Look Colorist lingo: What is a primary correction? Primary color wheels: The Offset control Primary color wheels: Lift Gamma Gain brightness Primary color wheels: Lift Gamma Gain color changes The primary sliders and YRGB processing Color wheels: Getting faster with keyboard modifiers Understanding the Contrast and Pivot controls Adjusting hue and saturation The RGB mixer Using curves as primary corrections Colorist lingo: What are raw and log formats and lookup tables (LUTs)? Intro to color correcting: Raw Intro to color correcting: Log with LUTs In action: Hero shot and primary grades 9. Understanding Nodes Lingo: What is a serial node? Adding, connecting, deleting, and resetting serial nodes Node macros: Splitter/Combiner nodes Specialty nodes: The Layer Mixer node and Parallel node Using composite modes in the Layer Mixer node 10. Secondary Color Correction Tools Colorist lingo: What is a secondary correction? Custom curves as secondary corrections Log wheels as secondary corrections Color wheels: Highlight and shadow controls Color wheels: Color boost and midtone detail controls Using the Hue vs. curves Using the Lum vs. and the Sat vs. curves Targeting corrections with the Hue/Saturation/Luminance (HSL) keyer Understanding the HSL Matte Finesse controls Targeting corrections with the new 3D keyer Limiting HSL and 3D keys with Power Windows Colorist lingo: What is a vignette? Power Window fundamentals: Basic controls Power Window fundamentals: Manipulating shapes Power Window fundamentals: Adding and copying and pasting shapes Color correcting with Power Windows Node macros: The Add Outside node Power Windows with the Tracker Fine-tuning your tracking In action: Hero shots and secondary corrections 11. Matching Shots Colorist lingo: What is shot matching? (Keynote) Shot match workflow: Matching exposure Shot match workflow: Matching color The automatic Shot Match tool Overview: The Gallery Gallery: The Reference Wipe Gallery: Copying grades and nodes Versions: Flipping between multiple color corrections Matching skin tone: The fundamentals Matching skin tone: Examples Power grades: Understanding "stills on the go" In action: Hero shots and shot matching 12. Building Looks: Essential Tools PowerGrades presets: How to find and use them Groups: Powerfully grading entire scenes at once Blur and sharpen: Fundamentals OpenFX: Using third-party plugins Render Cache: Smart mode Keyframing fundamentals In action: Hero shots and looks, part 1 In action: Hero shots and looks, part 2 13. Rendering, Delivering, and Archiving Rendering: Individual shots Deliver page: XMLs and delivering individual shots to editorial Rendering: A self-contained movie Organizational tips: Archiving your project Conclusion Additional color correction resources (Keynote) Goodbye (Keynote)
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